Friday, June 19, 2009
Thurston Moore's avant-garde want list
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQKkqc1k0O0mouTy3NIVTRNphLdDx01PSkC8apoz1u5CG6BvfbTskFB_tGNJwEq_G4ilZn0EC9FUts9DPWLqzOPNPASl5mUKclo-0BN6KLdLXMZyGrVKSy_tTnMwJUaER3ZLeCGA/s320/7J0sZfajbdu5faze0fHlmIE7o1_500.jpg)
In my off time, I'm a record collector. I'm a record collector to the point that I sometimes look back on my habits and wonder what's wrong with me, and wonder why I can't be happy just listening to top 40 commercial radio. I mean, when you get really amped about the Michael Snow LP on Chatham Square or a Folkways record called "Music from an equatorial microcosm," a switch has really flipped inside you. If you're similarly afflicted, check out the below.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQfxjH3-Ai01qX0OY3s7rTZRkR4l0rElHOHAJpU7zFE6IUHusQE3YmaVuI-fKg51Gjawm7UofCU1dPB4kdcZpkMKQWsehUK2Kg-m2F10pe0YlVaXELoCEMUg_XMqzKRGYmgnpFRQ/s320/Picture+5.png)
A while back I got a copy of Thurston Moore's avant-garde wants list (PDF). It's pretty impressive that way back in the day Thurston was after Raymond Boni on Futura, Drum Dance to the Motherland, and OFAMFA. It's a worthwhile read, if heavy on lots of european jazz that I don't personally find too interesting. It's easy to forget in 2009 how difficult it was back then to find overseas and private-pressed records.