Monday, June 22, 2009

 

Meaning from Iran's Watershed Moment

There is no other post possible right now than one on the Iranian elections, where Ahmadinejad’s claimed victory over Moussavi has resulted in continued fallout. In western perceptions, this is going to be a watershed moment for Twitter, the moment where it proves its worth. Communication coming out of Iran is at a crawl due to lack of cell and Internet connectivity, and journalists have been officially banned from the streets. The number of videos coming out of Iran since the elections has lessened in recent days. So, when the world cannot be watching (as the 60s cry goes), it is certainly tweeting.

Twitter hasn’t so much filled in the communication gaps to get messages out of Iran (creaky old email appears to be the primary method) but it has served as a valuable mode of propagating grassroots information. #Iranelection is still a top-trending topic and will likely be so for some time. The fact that CNN is now examining Twitter feeds live (which Jon Stewart recently lampooned on the Daily Show) makes a case for the downsides of the new agenda-setting role of the technology: our desire for a constant stream of news may simply not be possible, and by using unreliable or unverified sources, we risk entirely changing the role of news.

The Neda video (warning: very graphic content) in particular is extremely affecting. It's a short film of the last moments on this earth of a woman who has been shot in the chest. This small moment has been extrapolated from its surroundings and presented as symbolic of a movement. The moment of death can be replayed over and over. This is both extremely problematic (basically a snuff film, and a private moment that arguably shouldn’t be seen by millions of strangers) and gives agency to an important meme (hopefully provoking discussion and thought on the Iranian election). #Neda has emerged on Twitter as an important tag of its own.

The end result of the protests is unclear, but will certainly be referenced as a pivotal moment in history. As of today, the numbers of protesters has dwindled due to the government crackdown. Although it has been painted as only a middle-class affair, there is dissent
about how true this is.

Mirrored at Annenberg Online Communities.


Friday, June 19, 2009

 

Thurston Moore's avant-garde want list


In my off time, I'm a record collector. I'm a record collector to the point that I sometimes look back on my habits and wonder what's wrong with me, and wonder why I can't be happy just listening to top 40 commercial radio. I mean, when you get really amped about the Michael Snow LP on Chatham Square or a Folkways record called "Music from an equatorial microcosm," a switch has really flipped inside you. If you're similarly afflicted, check out the below.



A while back I got a copy of Thurston Moore's avant-garde wants list (PDF). It's pretty impressive that way back in the day Thurston was after Raymond Boni on Futura, Drum Dance to the Motherland, and OFAMFA. It's a worthwhile read, if heavy on lots of european jazz that I don't personally find too interesting. It's easy to forget in 2009 how difficult it was back then to find overseas and private-pressed records.

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Thursday, April 02, 2009

 

When schwag goes bad – eBay sends me a gift

I have a little eBay problem. The auction website has grown my minor record collecting habit into a full-blown epidemic. I’ve been on the site for 10 years, and have thousands of searches stored in RSS format, which I compulsively refresh every few hours. Sometimes sellers use techniques for upping hits on their items, such as using blocks of keywords unrelated to the item. This makes my searches return dozens of unrelated items. I flag these auctions, which takes about 30 seconds, no more than a few times a week. Today eBay sent me a weird little notebook in thanks for being part of their “enhanced member reporting program.” Is that what I was part of? I had no idea.



What’s the problem with this? Well, symbolic recognition (stars, votes, friends) is the standard for online communities. When I reported items, I was mainly just happy to get them off my screen, and the sellers rarely spammed again. To receive a physical object for activities I didn’t intend to get paid for was a strange violation of accepted standards. It made me feel like some kind of paid informant - an e-snitch, if you will. The gift itself seems made for snitchery, too, like I’m going to sit around and take detailed notes on items I deem to be unfit for posting. In short, it had the opposite effect on me that eBay was hoping for.

That said, it is a pretty nice, compact, real leather notebook that I will likely use in the future. At least, when I won’t be made fun of for having an eBay-branded notebook.

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Monday, March 23, 2009

 

Is social media an industry? Sometimes yes, but mostly no

This is an edit of my response to “Is Social Media an Industry?” on mashable

I was surprised to see that nearly 70% of people who voted in an online poll believed that social media was an industry. To my mind, the answer is both yes and no, depending on how you conceptualize “industry” and “social media.” First, there is the issue of the impetus for the question. Just because many people are interested in it, that doesn’t mean it is an industry. There is no established measure of how Google search terms relate to the size of industries, although increased searches do correlate with general interest by individuals.

Social media could be considered an industry for non-market information economies, of the type Yochai Benkler identifies as being critical for the success of the Internet and vastly different from market economies. For instance, social network sites could be considered an industry, as they quite literally build on and trade in social interactions. However, they are poorly, if at all, monetized.

More generally speaking, in market economies, I would argue that the vast majority of applications for social media are not related to a specific industry, but instead are tools used by various industries. Social media (plural: blogs, Twitter, SNSs, etc.) are not an industry. Also, industries are not defined just by popularity, but by the products they create and professionals they involve. "Social media" is a rather ambiguous term used to describe a collection of (mostly) online technologies that rely on connections between people to operate. These technologies are quite disparate, and often individuals and companies use them for entirely different purposes.

In this sense, social media are a vehicle for other industries, such as advertising, journalism, and software development. Each of these industries has very specific products and practices. Social media are integrated on various levels across these industries, but alone, they don’t amount to very much. Social media are tools for various industries, but are typically not their own industry.

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Saturday, March 21, 2009

 

Thru-you Mashups

Much as I initially didn't want to like Kutiman's YouTube mash-up compositions, I've come to the conclusion that they are undeniably great. First they are compositionally solid tunes that hold up as more than just tinkering or experimentation. There's also a utopian vibe to kutiman's mash-ups. Musicians of all types - old and young, male and female, of all races and ethnicities - come together under the umbrella of music. Guided tutorials are layered with private bedroom vocalists, product demos, and student performances. In Kutiman's eyes, everyone's videos are equally fair sample fodder.

Ultimately, what I think makes Thru-you succeed is that the personalities of the musicians comes through in their performances and little visual cues. I find myself wondering what the story is behind the mother singing soulfully in "Someday," smiling while holding her toddler, or if the cornball guitarist on "The Mother of all Funk Chords" sincerely believes in his rocking solo. Kutiman takes care to show the musicians' little performance quirks, pacing or talking as they warm up or (god forbid) give the camera a "solo face."

There's a touch of magic here; it seems so improbable that the vocalist, keyboard, flute, and wind chime in "Just a Lady" could mesh together and come out sounding like a dead ringer for Portishead. If ever there was a case to be made for fewer restrictions on copyright (a la Lessig or Negativland alike), here it is.



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Tuesday, March 10, 2009

 

Reaction to "Dunbar number" hype

The recent finding that Facebook members communicate regularly with a very small group is not surprising. Sites such as Facebook exist to keep track of a range of friendships, which some have taken to be a test of an online Dunbar Number. There are number of reasons why this is a difficult comparison to make. As danah boyd succinctly discusses, there are a number of reasons why the “Dunbar number” simply does not apply to online relationships. It is a theoretical number based in the real world, describes “grooming” activities by primates, and was developed from observations by anthropologists in non-first-world countries. And, of course, Facebook connections do not capture the entire range of social connections of an individual, just the connections on a single site. Even if you accept that a “Dunbar number” exists online (to play devil's advocate), this does not disprove the utility of these sites.

Many SNS connections are ultra “loose ties” that would seem to fall outside of the purview of a Dunbar number, while others are connections with close friends or family. My personal feeling is that even loose ties can come into more central play in a person’s life through these sites over time, regardless of whether these friendships began online or offline. There are a number of reasons that people may productively use SNSs to maintain large groups of extremely loose ties. These are friends from work or around town that may emerge as close ties at a point in the future, business “contacts” that are not friendship-related but need to be maintained, and individuals who used to be close ties but now have fallen out of favor due to geographic limitations (such as the classic old school buddies).

People gain personal satisfaction, financial security, and community benefit from online socialization with online groups. These groups have very tangible beneficial effects, and tie groups of close-tie groups together, providing valuable “bridging” that facilitates propagation of ideas. These sites are also increasingly a platform for other activities, including bona fide applications that expand the reach of SNSs beyond text and images, a convergence of activities as well as socializations.

Why individuals only interact consistently with a small number of friends can be explained, in part, by Facebook's filtering. Filtering is a key part of social promotion, without which it would be difficult to harness the “wisdom of crowds.” Facebook recognizes the people you communicate the most with, and promote their news feed items above those of others. This is completely natural utility – why would you want to have daily updates from someone you haven’t spoken with in ten years? Unless of course, you renew your friendship and start to interact more with them, at which point Facebook would recognize the increased activity. And you are always free to select “I want to see less from [user]” in the feeds. Even if people are exposed to an over abundance of messages from online “friends,” I doubt this can be shown to contribute to a meaningful negative effect. This “overload hypothesis” is frequently promoted by the media as a death by distraction (so to speak), making bugaboos of everything from cell phones to email. Never mind that if you show someone too much information, they simply do not retain everything, only what they frequently access or are useful in their life. Excess information is not retained, mentally urinated out like an excess of water-soluble vitamins.

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Wednesday, February 25, 2009

 

RIP Ian Carr


Another musical giant has left us; I was profoundly saddened to read today of the passing of the British trumpeter Ian Carr. He wrote and performed the most beautiful jazz music of his generation in the 60s, particularly in a quintet with Don Rendell. He was also one of the few musicians who was able to gracefully make the jump to "electric" jazz in the 70s, recording key sides on the Vertigo label (more known for its rock offerings). In addition to his work as a musician, he was also author of several books, including, in my opinion, the best biography of Miles Davis ever written. The world is a less bold, vibrant, and musical place without him. Even if you've never considered yourself a "jazz person," you owe yourself to listen once, late at night, to "Dusk Fire"...


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